The fact that Richard Edwards isn’t a household name hurts my heart. He is one of the most poetically talented writers producing music and has been for over a decade. His second official solo effort, Verdugo, is the perfect follow up to last year’s Lemon Cotton Candy Sunset. It’s bolder, stronger, fuller.
After describing the plot to Lady Bird to a coworker and declaring it the best film I’ve seen this year, she asked me: “Why?”
Why. The short answer: it’s the type of film that I would want to write for the world.
[Read my feature “Richard Edwards Reborn” for an in-depth look at the album from musician himself.]
For nearly a decade, Richard Edwards released music as a band called Margot and the Nuclear So and So’s. Don’t be fooled; he was the band. The players came in on different albums to help, but he was always the maestro. His lineups changed year to year, as did his music.
Now, Lemon Cotton Candy Sunset is his first true solo album under his own name. I wrote a feature about it that will appear sometime shortly on All Things Go about why this was time for him to step out from behind the Margot moniker.