Near the end of 2018, the name debutiful popped into my head while sitting in the gray cubicle of my day job. The notion of starting a website dedicated to debut authors had been something I was ruminating over for a while. It wasn’t something I thought I’d do without sitting down to come up… Read More debutiful, a website dedicated to debut authors and their books
It’s the time of year when established media outlets and blog boys alike put out their “Best ____ of 2018 so far” lists. Ya know I’m no different. However, I don’t make money off of my last name dot com, so I don’t need 50 different lists to appease my advertisers. I limited myself to… Read More Gimme 5 (aka the best of everything so far in 2018)
Today, I start working part-time my favorite bookstore – Changing Hands in Phoenix. I am incredibly stoked because I love bookstores. I often spend any free time that I need to kill at a local indie or at Barnes & Noble. I even worked at BN in Augusta, Maine and Tempe, Arizona (where I dated… Read More 50 fiction recommendations from the last 5 years
Every two months, I’ll wrangle up ten of my favorite books that I’ve come across to recommend to friends and family (plus random internet strangers). These might range from books I think are the “best” to ones that just surprised me to authors I interviewed. Here are ten from January and February in the order that they… Read More Ten books to read from 2017 (part 1 of 6)
Erica Ferencik is a Boston-based author whose recent release, The River at Night is a modern Deliverance set in the deep woods of Maine. I conducted a full-length interview with her for Electric Literature that talks about the research that went into writing the book and so much more.
Station Eleven is the best novel I have read this year. The 2014 genre-bending, post-apocalyptic, award-winning effort from Emily St. John Mandel was the seventh book I have read in 2015. Admittedly, I didn’t think it would be as good as it was, and I only picked it up because it was so highly recommended.… Read More ‘Station Eleven’ reviewed